Drawing Fundamentals

New
New
INSTRUCTOR
Thomas Fluharty
EXPERTISE LEVEL
Beginner
LESSONS
5 Lessons (2h 56m)
COURSE LENGTH
5 Week(s)

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Course Description


Every great artist begins with the fundamentals. In this course, award-winning illustrator, Thomas Fluharty, will coach you in the foundational skills that he employs to draw. You will learn how to see your subject, effectively use values, perspective, and composition, and much more. So whether you're a young artist just beginning your artistic journey, or an older artist who has never been formally trained in fundamentals, in sharing with you his vast experience, Thomas will help make drawing simple.


➡︎ For the ‘Critiqued Sessions’, students will meet up with Thomas Fluharty LIVE once per week on Tuesdays at 8:00am PT / 11:00am ET.


MATERIALS LIST
  • Adobe Photoshop

Lesson Plan

In my first lecture, I will talk about the difference between looking and seeing and how anything you see can be reduced into simple shapes. Anyone can look at a subject, but it takes a deeper understanding of that subject in order to truly SEE. Seeing is about knowing, thinking, and asking questions. I will talk about how to LOOK at a subject and SEE simplified shapes. Finally, I will discuss my thought process while demonstrating how to observe and draw the simple shapes in a chameleon.

In this lecture, I will talk about value or tone. When we use lights and darks in our images, we give them power, create drama, and communicate form. I will talk about how the great masters effectively used value and together we will make a value scale. In my demo, I will take my chameleon drawing from Lecture 1 and add values, creating drama.

I will start this lesson by discussing perspective and the horizon line. I will show you one point, two point, and three point perspective, how ellipses relate to the horizon line, and introduce the grid line. I will show you how objects sit on the grid and demonstrate the power of the grid in a quick and simple sketch. Then I will demonstrate how I add a dog into one of my sketches in the correct perspective while talking through my thought process.

In this lecture, I will talk about what good composition is and is not. In essence, good composition means placing and arranging objects in a picture in a balanced and pleasing way, thus establishing the power of an image, making it attractive to the viewer, and ensuring its success. I will discuss the rule of thirds and why you should or shouldn’t use it depending on the purpose of your image. Then, I will demonstrate my approach for good composition and how I construct a scene with multiple elements.

In this lecture, I will talk about an oft-overlooked aspect of storytelling: gesture. I will show you great examples of gesturing and explain what makes them dynamic and expressive. I will then go through how I’ve applied gesture in my own drawings throughout my career and provide a gesture drawing demo working from several images of different poses while explaining my thought process.

MEET YOUR INSTRUCTOR

Thomas Fluharty


Thomas' freelance career started with his first cover for MAD Magazine in 1995. After moving from New York City to Minneapolis, the New York Times called and things took off from there. Today, Thomas' clients include the Village Voice, TIME, DerSpiegel, Entertainment Weekly, ESPN, Sports Illustrated, the Los Angeles Times, Fisher Price, and Coca-Cola. Some of Thomas' favorite work is done weekly for the Weekly Standard.

Thomas' work has been selected by the Society of Illustrators in New York, the Society of Illustrators, Los Angeles, and Communication Arts. In 2005, Thomas won a gold medal for his portrait of Hillary Clinton in Spectrum, the best in contemporary fantastic art. He has a TIME cover that hangs in The National Portrait Gallery in Washington, DC, and currently has five covers featured in the international traveling show "The Art Of DerSpiegel, Cover Illustrations Covering Five Decades."

Thomas lives in Prior Lake, Minnesota, with his wife Kristi and their five awesome daughters.